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Keydet Piper’s Spring Competition Schedule

As I’ve been thinking about which games I’ll be attending this year, I’ve come up with a tentative list. As of now, this is what my schedule looks like.

March 27: Back Bay Solo Piping Contest, Boston, MA. Organized by my friend John Daggett, the Back Bay Contest is an indoor contest early in the season that is offering competitions in all amateur levels. It will be my first solo competition in grade 1, and I encourage other pipers to check it out. That same day is also the annual spring concert of the Stuart Highlanders Pipe Band, the EUSPBA’s new grade 2 band. Make a day of it: solos in the morning, band concert in the evening.

April 10: NHSSA Indoor Scottish Arts Festival, Concord, NH. I haven’t decided if I’ll be playing at this contest, but we’ll see how things are going once the entry form goes up. This has traditionally been the start of the season in New England, and the few years that I have attended there have been quite a lot of competitors. There are professional competitions this year for the first time, and they take place on Friday evening, with the amateur and bands competitions on Saturday. Also Saturday evening is a recital featuring the awesome piping prowess of Alasdair Gillies and the grade 1 Oran Mor Pipe Band from Albany, NY.

April 24: Celtic Festival of Southern Maryland, Prince Frederick, MD. This is usually the first competition of the season in the mid-Atlantic region, and it will be my first competition with MacMillan Pipe Band. I doubt I’ll be playing solos, but I’ll be there for sure. The grade 3 band contest is MSR.

May 15: Colonial Highland Gathering, Fair Hill, MD. The next band competition (medley this time), and I probably won’t be playing solos again. Maybe I will though; we’ll see how things are going.

That’s all I have on the schedule for now, though it is certainly subject to change. Check back for updates.

Go long!

I’ve commented before about the stunning lack of variety in tune selection for top level band MSR contests, and I’m hopping up on a different but related soap box this time. I will again visit the 2009 World Pipe Band Championship, this time the MSR from the grade 1 final round.

Just to recap the rules, the MSR set must consist of a 2/4 march, strathspey, and reel played as a set. Each tune must be at least four parts, and the performance must start with a three pace drum roll, not contain harmonies or reprises, and end promptly on the last note of the reel. In a grade 1 band contest each band must submit two sets, and a draw at the line determines which they are to play. It’s really a pretty esoteric competition and a non-piper will probably find it difficult to sit through more than just a few bands at a time.

In listening to the CD from this year, the majority of bands played tunes longer than the required four parts, which perhaps contributes to the limited repertoire. Here’s a listing of the bands in order of final placing in the MSR event and their selected tunes. I’ve marked tunes with six parts in red and tunes with eight parts in green.

  1. Simon Fraser University: The Highland Wedding / Blair Drummond / John Morrison of Assynt House
  2. Field Marshal Montgomery: The Highland Wedding / Blair Drummond / Pretty Marion
  3. St Laurence O’Toole: The Highland Wedding / Atholl Cummers / McAllister’s Dirk
  4. Strathclyde Police: Donald Cameron / Cameronian Rant / Mrs MacPherson of Inveran
  5. The House of Edgar Shotts & Dykehead: Balmoral Highlanders / Susan MacLeod / McAllister’s Dirk
  6. Boghall & Bathgate Caledonia: Pipe Major Tom McAllister / Susan MacLeod / John Morrison of Assynt House
  7. Scottish Power: Angus Campbell’s Farewell to Stirling / Tulloch Castle / John Morrison of Assynt House
  8. Fife Constabulary: The Highland Wedding / Susan MacLeod / Mrs MacPherson of Inveran
  9. Robert Wiseman Dairies Vale of Atholl: Colin Thomson / Atholl Cummers / Mrs MacPherson of Inveran
  10. Cullybackey: The Clan Macrae Society / Susan MacLeod / John MacKechnie
  11. Manawatu Scottish: The Clan Macrae Society / Atholl Cummers / McAllister’s Dirk
  12. Ballycoan: The Clan Macrae Society / Susan MacLeod / John MacKechnie
  13. Dowco Triumph Street: The Highland Wedding / Maggie Cameron / Pretty Marion
  14. Australia Highlanders: Colin Thomson / Blair Drummond / John Morrison of Assynt House

As you can see, there’s not much black text in there. Here’s the breakdown:

  • Three bands played four part marches, and only two different tunes: Colin Thomson and Angus Campbell’s Farewell to Stirling.
  • Seven bands played four part strathspeys, but only three different tunes: Maggie Cameron, Susan MacLeod, Tulloch Castle.
  • No band played a four part reel.
  • Five bands (including those who placed first through fourth) played no tune shorter than six parts.

I don’t know if it’s a trend, a fad, or a trendy fad, but I really don’t like it. There are a ton of great tunes out there, and bands rule out so many of them by limiting themselves only to longer tunes. Solo competitions, even at the top level, feature a much higher percentage of four parted tunes, although the six parted reels are very prevalent.

I’d like to see a grade 1 band be gutsy enough to buck the trend and play some shorter, but not necessarily smaller, tunes.

Protect yourself from the pipes

Most pipers I know wear ear plugs when playing, and with good reason. The most common reaction I get to the pipes is people saying “Wow, that’s loud!” My physics class measured my pipes at 105 decibels at a distance of 1 meter (arm’s length for the metrically challenged), and prolonged exposure to sounds like that is a good way to ruin one’s hearing.

I saw this and thought it pretty amusing: earrings that are earplugs.

I’d be really excited if I wore earrings, but I’m sure there’s someone out there who could find a use for them. I am a bit upset that bagpipes are not included in the list of uses, though.

2010 Resolution: Make no New Year’s Resolutions

Every blog I follow has had a post reflecting on 2009 and/or looking ahead to 2010, so why should this blog be any different? I’ll stay away from the retrospective and stick to the future, because the past can’t be changed and it doesn’t help to dwell on it after extracting its lessons.

I stopped making New Year resolutions a long time ago, because in all honesty I usually forget them by February. In addition to usually being pretty vague (“I’m going to get more exercise and procrastinate less”) and therefore difficult to assess at the end of the year, they’re pretty generic and more often than not go forgotten and unaccomplished. So I’ve stopped making them.

Instead, I come up with a list of things I want to do during the year. They’re not necessarily for personal edification, just things I want to do. They’re better than your standard resolution because it’s a lot easier to decide if they were accomplished: like a checklist, it’s either done or it isn’t.

So here’s my list for 2010, in no particular order. Some are related to piping, some not, but all stuff I want to do.

  1. Learn two new piobaireachds. I don’t have tunes in mind, but since I play several amach tunes I would like to learn at least one new fosgailte tune and maybe another brebach. I will consult the silver medal list to see what’s recommended.
  2. Play one new light music tune of each type in competition. I know enough tunes to be able to play in grade 1 solos, but learning more is the way to get better. Proposed tunes to learn: The Braes of Castle Grant (2/4 march), Cabar Feidh (strathspey), Dolina MacKay (reel), Joe McGann’s Fiddle (hornpipe), Donald Cameron’s Powder Horn (jig), Ellenorr (6/8 march).
  3. Compete with a grade 3 band. I’ve played in grade 4 and 5 band contests, and I’m ready for more of a challenge. Although I’ve been invited to play with a grade 2 and a grade 1 band, I don’t have the time to put into keeping those repertoires up to that level . A grade 3 band is a level that will challenge me to learn new material, and it’s the most practical level for me to be a distance player. Look out MacMillan, here I come.
  4. Restart my academic career. This is my fifth year teaching high school, and it’s fun and all, but it’s more fun to be a student. More details will follow as they become available.
  5. Learn to juggle. This is something I’ve always wanted to do, and this is as good a time as any to get started. K and I got a juggling lesson from a very cool shop on New Year’s Eve and walked away with a set of juggling objects. Mine are very cool and have pirates on them. Yarr mateys

Combining two of my favorite things

I found a podcast this afternoon that is an offshoot of a podcast I listen to from time to time: Science from the Sporran from the Naked Scientists. Each episode appears to be a short video of something sciency, presented by someone in a kilt. Science and Scotland, combined!

Grade 1, here I come

The EUSPBA’s regrading results were announced yesterday (12/13/09), and I was one of three who were moved up to grade 1 piping for 2010. This was my goal from the beginning of the season, so needless to say I’m pretty excited.

I was also excited to see some friends upgraded: Chris Benton and Brian Erbe to grade 3 piping; John Daggett, Chris Donaldson, and Dan Mancuso to grade 2 piping; and Andrew Adams to grade 1 snare. I’m excited for them, and I know they’ve worked hard to get there.

The solo upgrades were somewhat different from past years, with no one being upgraded to professional piping, and only three to grade 1. There were quite a few who went to grade 3, so it will be good to see a lot of competitions heating up on that level next year.

On the band side, Stuart Highlanders from Massachusetts were bumped up to grade 2, making them just the second active grade 2 band in the EUSPBA. This wasn’t exactly a surprise, as they dominated the grade 3 scene this year in EUSPBA. The Greater Richmond P&D from Virginia was moved to grade 3, and after I heard them play at the Meadow Highland Games in October I’m not at all surprised. They sounded great, and I know my friends in that band will be excited for that.

Just how warm is a kilt?

One of the most frequent questions I am asked is along the lines of how well-suited the piper’s uniform is to cold weather. I happily remind people that the weather in Scotland is on the cool side (though certainly not as cold as it is here right now…. brr), and insist that it’s not as bad as they think. In fact I find the parts of my body most susceptible to the cold are my hands and fingers, because piping doesn’t go so well when wearing gloves. I’ve played several competitions and countless parades where I couldn’t feel my fingers, and while never a pleasant experience I’ve managed to survive with all of my digits intact and mercifully unbitten by frost.

The question of temperature provided by a kilt apparently was raised on the X Marks the Scot forums recently, and one of the members decided to investigate how much insulation was provided by several types of kilts on a cold night. The link includes the complete report of a nicely scientific experiment, and it makes for a fun read, even if it is a bit long.

I received an email with the link to the site from a friend, who had in turn received it from the company that manufactures and distributes the temperature probes used in the experiment. We use the probes, and others as well, in several of our science classes, though I must say the thought of borrowing these to use in an experiment like this never crossed my mind. A general description of the experiment and results follows.

The experimenter tested three different kilts: a regular wool 8 yard kilt, a wool 4 yard box-pleated kilt, and a poly-cotton blend fake kilt. He sewed two temperature probes onto a pair of boxer shorts (one in the front and one in the back) and mounted a third probe on a stick that was mounted horizontally on his hat to measure the ambient air temperature (a brisk 28° F). Each probe reported the temperature four times per minute for fifteen minutes, at which time the experimenter switched kilts and repeated. For the first ten minutes of data collection the experimenter was standing in an outdoor area sheltered from the wind, and he spent the final five minutes walking up and down his driveway.

The results? Surprising, actually. Once he started walking, all three kilts measured approximately the same temperature in the front sensor, but the heaviest kilt (the only real kilt if you ask me) was the one that suffered the greatest loss in temperature from the standing measurements. The conclusion was that this kilt provided the least amount of thermal insulation while walking, even though the temperature reached was similar to the other kilts.

I offer two suggestions for how the experiment could have been improved. The first is to control for the fact that after conducting the experiment with one kilt, he changed the kilt and immediately began another test. Seems there could be some skewed data in putting a warm kilt on an already cold experimenter, so I suggest conducting the entire experiment a total of six times, altering the order of the kilts each time. The second suggestion is to have a control trial to see just how much insulation any of kilts provides, so conduct a 15 minute data collection time wearing only the boxer shorts.

Am I making too much out of something that no one should really care about? I will leave the answers to those questions to the reader.

I’m not about to run outside myself to try this experiment, and it’s not because I only have one kilt (though that is part of it). The real reason is that right now I’m sitting inside, wearing a sweater and comfy slippers, and sipping a mug of hot chocolate. In other words, I’m warm and cozy, and I’m going to stay that way.

The end of the year approaches

Well here we are, nearing the end of calendar year 2009. The solo piping competition season wrapped up around the end of October, and the regrade committee has been reviewing requests for competitors and bands for 2010. My request for grade 1 piping is in, and all I can do at this point is wait. I was hoping the results would have been posted by now, but we’re still waiting to hear. Monday the 14th is what I’ve heard lately, so I’m hoping that’s the date.

The season won’t really get started until April, but there are at least a few sanctioned competitions that are happening before then. The Back Bay Solo Piping Contest at Northeastern University in Boston on March 27 is being organized by my friend John Daggett, and he’s done a great job of getting things together for that contest. I know he has had some generous donations of prizes from piping retailers, and he’s excited to see the event come together. I’m excited as well, as that will be my first competition of the season, and hopefully my first competition in grade 1.

I have a lot of work to do before March, which is why I won’t be attending the indoor competition in Albany, NY on January 9. This is being organized by the Oran Mor Pipe Band, and is the first sanctioned competition of the year. I won’t be in playing condition by that time, but I’m considering going as a spectator. Because I spend so much time at a competition worrying about my own events, I rarely get to hear other players, so this might be a good chance to do that. There is a companion event on March 27, which unfortunately conflicts with the Back Bay contest. Good news about both contests: the events don’t start until 11:30 am, which means competitors and spectators alike get a chance to sleep in!

Here’s a fun video to leave you with: Stuart Liddell doing what looks to be an informal recital in Hamilton, Ontario back in November. He plays his version of The Battle of Waterloo with an extra note (low E), as well as Thuderstruck, which is one of his popular flashy tunes. Before he gets there he plays Scotland the Brave and a seasonally appropriate tune, so enjoy.

The newest addition

People have telling me for a while that I need a new solo chanter, especially if I hope to play in Grade 1 next year. I’ve been looking at several, with my eye especially on the new Naill. At $350 though, I was very hesitant to buy one, since I was doing alright with the several that I had. When I saw my friend the Tone Czar was closing his shop and selling his inventory, I got quite excited when I saw the Naill chanters discounted to a seemingly unbelievable $220. After some debate, I went for it; how often do you get a chance to buy a top-notch chanter for a savings of $150?

The chanter arrived today, and preliminary testing is positive. It feels really nice, fits my hands and playing position well, and has hints of that famous Naill sound. The miscellaneous selection of reeds I have on hand is mediocre to decent in the new chanter, and they all need a bit of playing time and some tape on the chanter, but the quick play I gave them tonight was very encouraging. I’m excited to have the pipes up and running again soon; they’ve been dormant for most of November.

Back in the saddle with the pipes, maybe even with the blog, and crossing my fingers for news of the EUSPBA regrades. They will be announced on Monday, which seems like quite a long time from now.

Waiting…

A gem of a video

Wow, two posts in as many days? Yep, that’s right. I’m not saying I’m back, I’m just sayin’.

I stumbled across these few videos last night. They were recorded at the Lord Todd Piping Recital Challenge in August, just before the World Pipe Band Championship. Four of the top pipers in the world were invited to participate, and the performances were captured and shared for all on YouTube by user MacArthurPiper. While not quite the professional quality of the DVD made of the event in 2007, these videos are better than 90% of piping videos on YouTube: steady cameras, no heads in the way, and most importantly, good sound.

Alasdair Gillies, Angus MacColl, Stuart Liddell, and Alan Bevan were invited to play this year, and based on the videos it was a great show. Here is the first video from each of the four players, and the others show up in the related videos list. It’s a crime that these videos have so few views, so I’ll do my best to send traffic on over to increase those view counts.

Alasdair Gillies:

Angus MacColl:

Alan Bevan:

Stuart Liddell (couldn’t find video #1)

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